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THE BEST-LAID PLANS OF MICE AND MEN OFTEN GO AWRY One identity theft victim s nightmare should be a wake-up call to everyone that even employing several levels of protection may not be enough to fully protect against this crime. Frank Hernandez of Phoenix, Arizona, dutifully shredded any documents that might contain his name or personal information. He even obtained a credit protection monitoring service that he thought would give him an added level of security. But his plans for protection were not enough. An undocumented immigrant was able to pay $500 for Hernandez s SSN and Arizona driver s license number. It was never determined how Hernandez s personal identifiers were compromised, but they were nonetheless. Hernandez eventually learned of the identity theft when he received notification that his driver s license had been suspended for unpaid speeding tickets in New Mexico. That was November 2005. Imagine Hernandez s surprise and consternation when he remembered that the last time he had set foot in New Mexico was 10 years earlier. As is often the case, few would listen to his claims of being a victim of identity theft. It took him two years to finally get his suspended license back. His insurance company did not believe him either. It was painful to get rid of because of the bureaucratic hassles.

FIGURE 6-16

With these promises in mind, let s look at the tools we re talking about with this very brief but incisive tour:

1) (k + 1) = A (k) + B x(k) + L R (k), y(k) = C (k) + D x(k), (113) (114).

To delete a row or column (or more than one of each), select the row(s) or column(s) that you want to delete, and then open the Delete button s menu on the Layout tab and choose Delete Rows or Delete Columns.

Alt+click (Option+click on the Mac) a closed group s triangle to open the group and any nested groups inside that group. Similarly, Alt/Option+click an opened group s triangle to close the group and any nested groups inside it.

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You can reposition your measurement line after you ve created it by dragging it in the document window. As you do, the X and Y values in the options bar update to reflect the new position. You can also drag a point at either end of a line to change the line s length and angle.

External blocks are AutoCAD files that have already been created. They are used to compile final drawings. Title blocks, drawing arrows, sections, notations, or views of objects that are used on more than one final drawing can all be used as external blocks. As an example take the title block from 8. The Browse option on the Insert dialog box will offer a list of all drawings on your C: or D: drive or on your floppy disks or storage cartridges.

You may have noticed that when two 50% opacity strokes cross each other, they don t combine to create 100% opacity. That s because each of the 50% strokes is simply making the current darkness of the stroke 50% darker. Even ten strokes on top of each other don t combine to equal 0 (black). Instead, they equal 1 because no matter how many times we reduce the brightness of the strokes by 50%, we can never halve the density to 0. Here s another useful experiment:

Ma-1

Because we used an adjustment layer to alter the color saturation of the teeth, we can come back later and re-evaluate the saturation after we ve lived with it for a bit.

CMX and Grass Valley systems require specially formatted disks. If you are using an NTSC system, make sure that your project timebase is set to 29.97.

1= 5

(7.10)

You can also create a knockout even if your layers are not in a group or a clipping mask. However, in this case the knockout always bores down to the Background layer, regardless of the knockout layer s Shallow or Deep setting. If there s no visible Background layer in the document, it bores down to transparency. To create the knockout, simply place your layers in order in the Layers palette, double-click the top layer the one you want to do the knocking out and select either Shallow or Deep for the Knockout option in the Layer Style dialog box. As usual, you ll need to set the knockout layer s Fill Opacity below 100 percent, or choose a blending mode that reveals the underlying layers, for the knockout to work. Figure 7.34 shows such a knockout in action.

Ayan, Jordan. Aha! 10 Ways to Free Your Creative Spirit and Find Your Great Ideas. New York: Crown Publishers, 1997. Barcus, Sam W., III, and Joseph W. Wilkinson. Handbook of Management Consulting Services. New York: McGraw-Hill, 1995. Block, Peter. Flawless Consulting: A Guide to Getting Your Expertise Used. San Francisco: Jossey-Bass/Pfeiffer, Second Edition, 2000.

*Now available in a lower prlced paperback edition in the Wiley Classics Library. tNow available in paperback.

of variation networks,

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